![]() She was dressed in a simple black dress with black-and-white striped short sleeves, worn over black leggings. Gardot, a mere 23, was both a visual and aural study in contrasts. But nothing impaired her ability to deliver a breathtaking set of eight songs, most of which came from her superb CD "Worrisome Heart." The accident left her sensitive to light, so she wears tinted lenses in her glasses. And survival.Įarlier in the evening, Gardot came onstage alone, but walking with a cane, owing to the life-altering injuries she suffered at 19 when she was hit by a car while riding her bike. It had moments of weariness and loss, but in the end found a kind of resignation that, in its way, became a statement of courage. Scott's trademark phrasing was evident throughout Wednesday's hourlong set, but never as much as when he sang "Motherless Child." So many singers try to wring every drop of melodrama from the classic, but few have approached the level of emotional truth that Scott found in his simple rendition. It's what makes every song, no matter how familiar, feel like a story you've never heard before. So did Sinatra, who considered her the best. ![]() Mabel Mercer, who also performed from a chair late in her career, had great phrasing. Singers, and people who really know what it is singers do, often talk about phrasing. It may not be quite as pure as it used to be, he may have to work at the vibrato a bit and the pitch isn't always perfect, but the Herbst audience knew it was in the presence of a master. Yes, some of Scott's voice is still there. Smiling sweetly, his tiny eyes squinting against the bright stage lights, he nodded to the audience, raised his hands as if to say "What can I do?" and launched into " Blue Skies." He followed up with just a half dozen other standards - "Time After Time," "Embraceable You," "If You Only Knew," "I Cried for You," "Everybody's Somebody's Fool" and "Motherless Child" - while Greene and his colleagues provided able backup.
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